Loveland: The Scene of the Crime

A sawed off pole in Loveland missing its solar panel lies across Plymouth.

By @RitaJKing

Shortly after midnight I received a call from Jerry Paffendorf to let me know that a crime took place today in Loveland.

Loveland is a city of inches in Detroit. 600 people from all around the world are “inchvestors” who share space in Loveland’s first fully developed colony, Plymouth. Each parcel in Plymouth is one square inch. Each inch costs one dollar. I own 1000 inches in Plymouth. This neighborhood of 1000 inches is called The Imagination Age Network.

As “inchvestors” in Loveland, we live scattered among states, countries and even continents. But we share a neighborhood, and in our neighborhood tonight, a crime took place. How we react to this challenge is the first real test of our shared values.

Tonight, before I spoke with Jerry, I had dinner with Jesse Dylan, the Curator of Mysteries of the Imagination Age Network. The most incredible thing about Loveland, he said, is that it’s “real.” Immediately, we learned just how real our shared space is. The same way a seed contains the blueprint for a vine that can grow a half-ton pumpkin with seeds of its own, each inch in Loveland is tiny but full of future.

Jerry’s pictures of the crime scene depict what happened to the pole that he, Mary Lorene Carter and Alan Languirand erected to support a solar-powered camera at the top. It was sawed down, and the solar panel, which the Imagination Age Network funded, was removed and stolen. The next step would have been to attach a Lemon Battery camera.

Had the camera been installed, images of the vandals would have been captured and uploaded before they had a chance to get close enough to touch the pole. In this way the Lemon Battery camera will curb future vandalism on the site, unless would-be criminals don’t mind their pictures instantly being shared with law enforcement and the rest of the world. A sign will be placed on the property warning future visitors that if they can see the Lemon Battery, the Lemon Battery can also see them.

This is not the first time recently that I’ve dealt with an invasion. A few months ago, I heard a sound at my back door at home. I caught a gloved hand holding my garden shears reaching for the doorknob through a broken glass panel. As I met with various security professionals and weighed the options for protection, I was forced to deal with serious questions:

Which measures are only psychologically comforting, and which actually result in increased safety?

What is the proper attitude to take in the face of such a crime?

Where’s the line between security and paranoia, protection and cynicism?

Some might argue that leaving a valuable object like a solar panel unattended in an abandoned urban environment during an economic and cultural crisis is asking for trouble, but I disagree. Neglecting such areas when they need attention the most leads to even more squalor, and that’s a failure of imagination.

At the heart of Loveland is love.

Construction at Loveland

Plymouth, LOVELAND Construction, June 2010 from Jerry Paffendorf on Vimeo.

By Rita J. King

I couldn't be more excited to see cement being poured.

The time capsule shown 44 seconds into the video was packaged by me in the middle of the night before Jerry Paffendorf and Mary Lorene Carter drove back to Detroit from New York City last Monday. Jerry texted me when I was already in bed to tell me if I wanted to bury a time capsule in the cement, they'd be by at 9 am to pick it up.

I am the founder of the Imagination Age Network, a neighborhood of 1000 inches in the first colony of Loveland, Plymouth. Plymouth consists of 10,000 inches, outlined by the cement.

I got out of bed and in the silent darkness, gathered my thoughts to figure out what I should include. Time capsules in cornerstones customarily include that day's newspapers so the date can be remembered. I printed out a copy of my friend Cory Doctorow's latest post on Boing Boing. I included a string of Mardi Gras beads from New Orleans. I found them on the floor in a little girl's room. She had meticulously stenciled a sign for her door, "Don't come in without knocking first," but looters had kicked the door in and torn her abandoned possessions to shreds, leaving only a pile of tangled beads on the cheap, burnt carpet. The beads symbolize rebirth, reconstruction, the hope that Detroit will once again be a city of the future and that the individual lives of the human beings affected by disaster are remembered. I included a picture of the Detroit girls, Celeste and Ricki, who live on the same street as Loveland. They are the only ones left on their block, but they're thrilled that the micro real-estate experiment has given them neighbors.

The jar includes a map of Plymouth and two versions of the Imagination Age Network, the first as conceived on a cocktail party, on a napkin, with Jerry, and the second (shown below in the rainbow image) after the actual plot of land was redistricted. Originally, I had intended the Imagination Age to be subdivided, but we ended up with a single block of 25 by 40 inches. I like it better the way it turned out, but both maps went in the jar.

Old map.

New map.

I included an LED light connected to a small battery that I once used to write the word love in the air.


The jar contains other secret items as well, but more on that later.

The most important thing about the jar is that it contains an augmented reality marker and on July 17, in Detroit, the jar will begin to communicate from inside the cement. The contents of the jar will be updated as the community develops.

Also see:
Welcome to Loveland!
Rita J. King speaks at O'Reilly's Gov2.0 Summit about Loveland
Loveland.

Map of the Imagination Age Network in Loveland

Loveland continues to grow, inch by inch, and the Imagination Age Network in Loveland has now been mapped!

The Eight Zones are named for the aspects of the Eightfold Path. Each member of the network receives an address within one of the zones.

In the map above, the thin purple rectangle represents 40 inches of shared space. This shared space will include all elements that can be found in any community--with a twist. Eventually the network will create multiple shared assets including a Theater of the Future, The Imagination Age School, and a store. The image directly above is the banner for the store, which will soon be open for business.

Jason Silva in The Imagination Age "Intentions: 128"

When Jason Silva sent me the concept teaser for "Turning Into Gods" (see below for video) I was struck by the scope of the thought and his enthusiasm for a subject that has kept me staring at the ceiling many nights since before I even started grade school:

Is immortality possible? Can science put an end to death?

Jason Silva seems certain that the answer is yes. Looking ahead for a moment...let's say we get there. Envision a place where consciousness is re-engineered without the turmoil of the mortal coil...

But will we ever truly be immune to hazard, even if the singularity is reached?

One line grabbed me particularly:

"Imagination," Silva says, "allows us to think beyond our limitations to conceive of what might be and go further than we ever thought possible."

I invited him to become a member of the Imagination Age Network in Loveland, an experiment in Detroit created by Jerry Paffendorf. Loveland explores new concepts about community and the micro-ownership of shared real estate. Loveland is 1,000,000 square inches in all, made up of individual colonies. The first colony, Plymouth, is 10,000 square inches and has 588 "inchvestors." The Imagination Age Network is a 1000-inch neighborhood in Plymouth. Our goal is to see how big we can make an inch.

The yellow rectangle is the Imagination Age Network in Plymouth, shown amid the parcels of 588 other inchvestors. For more information about Loveland, click here.

Jason Silva's inch is called "Turning Into Gods." He chose the address "Intentions: 128" for his project. The Imagination Age network is divided into eight shared zones of 122 inches each. Intentions, the second zone, includes inches 123-245.

The first step in growing Jason's project is to watch the video below and leave comments on this blog post with your thoughts on possibility, science and technology, a grand unfolding instigated by humans, and, oh yeah, "making ourselves permanent."

TURNING INTO GODS - 'Concept Teaser' from jason silva on Vimeo.

Congratulations Mary Lorene!

Congratulations to Mary Lorene Carter! Confidante and collaborator with Jerry Paffendorf on the Loveland project has an inspiring blog post about completing her art degree.

The primary reason for me not accompanying Jerry to New York is due to a presentation of my own. I have, over the last 10 years, attended 3 different universities and switched majors 3 times…. So, in case any of you are wondering, this unofficially qualifies me as an expert in the fields of: fine arts, library science, and the history of art, particularly the pagan empires of the Mediterranean (700bce-400ad). Today I had to present my senior thesis to a panel of faculty, which means I get to graduate….

[I Do Something.]

Plymouth: The Imagination Age

The dimensions of The Imagination Age, our 1000-inch neighborhood in Plymouth, the first colony in Loveland, is shown above at 25x40 inches.

Inchvestor Profile: Ken Hudson -- "100 Squirrels in Loveland"

The Black Squirrel, part of a collection of urban art that Ken Hudson may be including in his Loveland inches.(Image and art credit: Ken Hudson)

Inchvestor Profile
Name: Ken Hudson
Number of Inches: 100

Ken Hudson is a Canadian visual and theatrical artist, performer, digital media consultant, and Managing Director of the Virtual World Design Centre at Loyalist College in Belleville, Ontario, near Toronto.

He is perhaps better known for his ground-breaking work using the virtual world of Second Life to train Canadian Border Guards, which led to significantly improved grades on students’ critical skills tests, taking scores from a 56% success in 2007, to 95% at the end of 2008 after the simulation was instituted.

Ken will be documenting his involvement in Loveland on his new blog "100 Squirrels in Loveland."

What inspired you to buy inches in Loveland?

Obviously, there's the character of Jerry [Paffendorf] and his bon vivance. People want to be involved in ideas he's pushing forward.

It connected really strongly with my creative past. I used to create theater in alternative venues. In Canada my claim to fame is I adapted Shakespeare's Henry V to an Ice Hockey arena -- with heavy metal music and fighting with sticks. Before that I did a show in an store window on Queen Street in Toronto in 1999. [Here's a video clip.]

This idea that Jerry was going to retrieve some of these ideas -- using alternative venues, using venue as a space for expression. In other words the venue itself becomes part of the entire narrative. Those concepts are really appealing to me. Then the idea that he would be blurring the boundary between virtual worlds, augmented reality, site-specific art.

How do you perceive Loveland and what has it inspired you to do with your inches?

I see it specifically as a creative space. There's no promotional or corporate angle.

Last fall I started doing a bit of stencil graffitti art. Where I live, we have black squirrels that hop across the road all the time. So I cut a stencil of a hopping black squirrel as a way to capture that image. Then I put it in some strategic locations in our town. (See above) [Ken says he may incorporate the Black Squirrel into the expression of his inches.]

What's your current vision for how you're going to use your inches?

I see it completely as self-expression, finding images or populating the space -- physical, virtual or both with primary artistic intent. Part of my work doing performance in alternative venues, everything around it becomes part of the performance.

It's less a group show and more a collaborative art piece. I want to keep my points fluid so that I can adapt to what's around me and respond to it. I don't want to create a monolith here.

Whatever I do there, I expect to grow from the collective experience.

Kenny Hubble, Hudson's Second Life persona.

Do you imagine using your inches across platforms?

I see it as something I want to have maximum flexibility with. The squirrel may be virtual or augmented reality. The similarity between the public performance work I've done all the way to Second Life is that it all builds on the environment. It's not art that's happening in a glass box that doesn't have any relationship to anything around -- just the opposite. Everything around it changes it. If you're doing a show on the street and a bus comes by, it's part of the show.

Is it a physical project for virtual art or a virtual project with a physical location? Those are all salient questions for contemporary art as we move forward into the century. I think it is experimental in the best way. I don't think there is an over-arching artistic intention. I think there is a really neat idea. One idea that isn't even explicitly mentioned is that you could even buy real estate in Detroit for $500. I mean, that's a huge social issue that is entrenched in this concept.

What does that say for people in economically depressed areas. Or to people that don't have access to fine art or virtual worlds? What does it say to those people? To start to envision what land could be used for, what contemporary art is.

Whether it answers all these questions or not, it certainly raises all of them. To me, that's incredibly exciting.


----
You can follow Ken's involvement in Loveland at his project blog 100 Squirrels in Loveland.

Loveland on NPR's All Things Considered

[cross-posted from The Imagination Age -- written by Rita J. King]

Plymouth is the first full colony of inches in the Loveland project in Detroit. The yellow block of 1000 inches is my neighborhood, The Imagination Age. Loveland is being featured today on NPR's "All Things Considered." (Click here to listen to the archive)

What is Loveland?

It's an experiment in the micro-ownership of real estate, economic revitalization and cultural development.

It's an art project.

It's a statement about creating something new and unexpected.

Yes, it's about a guy selling a million square inches for a dollar each. With so many people out of work and seeking new ways to make money, create connections, excitement, fun and new ideas about the way communities work--that's a visionary way to get something going in an economy that promises to steamroll people who fail to freshen their skills, update perspectives and figure out new ways to pay bills.

Me, Jerry and our friend Tish Shute.

Sarah Hulett, the insightful journalist who interviewed me and Loveland founder Jerry Paffendorf, started off by saying that she wanted to understand the thinking behind the project.

I'm frequently asked why Jerry, who splits his time between the coasts, chose Detroit for this project. Why not? Why shouldn't a young, provocative artist move to Detroit and get something going? Is there some unwritten rule of etiquette that says we must avoid American cities in crisis? Detroit was once a city of the future, and that blueprint from the past is greatly appreciated by Jerry, who slept over at the Imagination Age Salon last night before catching a top-of-the-morning flight back to Detroit. We were up all night discussing plans for the future of Loveland and Detroit, ways we can explore Square, for example, to raise much-needed funds for local initiatives.

Sarah Hulett thoughtfully went back to interview the two little girls who live in the house next to Loveland, Celeste Moore (left, 11) and Ricki Collins, 9. In fact, their house is the only house left on the block. Ricki said she hopes the inchvestors will come and visit her. I am planning a visit soon.

Sarah Hulett asked me how Loveland might benefit the local population in Detroit. I don't know yet, but in order to find out I've opened up a block of 100 inches within the 1000 inch Imagination Age neighborhood in the Plymouth colony, a network that includes many notable residents already, including IBM Senior Research Fellow Grady Booch, WIRED writer Alexis Madrigal, filmmaker Josh Asen and educator Liz Dorland, to name a few. If you have an idea, even a tiny one, and imagination enough to envision how big you might make an inch, ping me on Twitter or leave a comment on this blog post.

I'm working hard to turn my inches into opportunities to connect people in Detroit with a larger community of innovators around the world, and I need your help, your ideas, your support and most of all, your imagination. Inches are tiny, but I hope you'll think big. Technology is a prism held up to the bright beam of the imagination.

[NPR: Inchvesting in Detroit: A Virtual Realty]

Want an Inch?

The Imagination Age in the Plymouth colony in Loveland, shown above in yellow, and the rest of the colony, in all its inchy splendor-in-the-grass, is shown around it.

Want an inch?



Yes, Loveland's first colony, Plymouth, is full--but you can still get in on the experiment. I have 1000 inches in Plymouth, a neighborhood currently called the Imagination Age. Maybe, like the newly minted Google, Kansas, the name will change once we all get set up, but for now, we're going with the Imagination Age.

Neighbors in the Imagination Age include the brilliant writer Alexis Madrigal, IBM Research Fellow and all-around creative genius Grady Booch, filmmaker Josh Asen (who directed the video above), educator Liz Dorland, Tiffany heir and designer Stephen Burlingham, Tony Award winning production designer Richard Hoover & actor John Ventimiglia, to name a few. The purpose of this experiment in micro-ownership of real estate is to see how big you can make your inch, or inches. In the meantime, the neighbors are starting to get together. If you want to be part of the neighborhood, ping me on Twitter or leave a comment on this post and tell us why.

Follow @RitaJKing and LOVELAND founder Jerry Paffendorf, @makeloveland, on Twitter.

The Mystery of the Ghost Inches

LOVELAND Season 2 Pre-Game: The Legend of The Ghost Inches from Jerry Paffendorf on Vimeo.

Jerry Paffendorf, who recently announced the completion of Plymouth, the first 10,000 inches in Loveland, produced this video mystery in response to requests from people who still want inches.

"Small parcels of land would occasionally disembody and float the streets..."